Oil on canvas panel, 15 x 12 inches
I painted this portrait using a limited palette of Yellow Ochre, Terra Rosa, Ivory Black and Titanium White. The canvas was toned a neutral gray and I used Burnt Umber for the block in.
As I've explained here before, these earthy versions of the primary colors are nearly the same as those
used by Swedish painter Anders Leonard Zorn (1860-1920). But, instead
of Terra Rosa, Zorn used Vermillion (or modern-day Cadmium
Red). Other earthy reds like Venetian Red, English Red Light or
Light Red Oxide work well, too.
Using this limited palette has its benefits. The muted color scheme creates
color harmony and unity with no effort at all. It's also a good teaching
tool, because beginning students can learn how to manipulate oil paint
without the concern for exact color-matching. The subdued tones also
help students recognize complimentary colors and strengthen their
understanding of the color wheel.
I began this painting from life along with my portrait drawing
class, then finished it from a photograph. You can see it in the beginning stages, along with a few students and our lovely model Brittney, in the photo posted below.